The latest installment of “All Roads” in Season 1, Episode 4, offers a mix of promising narratives overshadowed by confusion and lack of clarity. As the series progresses, the ensemble of characters jostling for attention, along with red herrings and broken promises, has left some viewers comparing it to the acclaimed “Mare of Easttown.” While “Mare” had a focused theme with a bold execution, “All Roads” often struggles with a muddled storyline, causing viewers to drift among various plot threads without adequate time devoted to character development.
The episode starts with a sense of paranoia as protagonist Tom is haunted by inner voice-overs warning him to “Suspect everyone.” This theme ties into the show’s exploration of paranoia and how it transforms individuals within their community, as residents grapple with small-town struggles and looming threats.
A significant plotline involves the Dark Hearts gang, led by Perry, who is determined to uncover disturbances within their ranks. The underlying conflict includes Jayson, who killed Robbie’s brother Billy due to personal betrayal, and the repercussions this has on the gang dynamics. Perry’s suspicion of a leak within the gang adds tension, leading to brutal internal justice.
Meanwhile, Tom’s quest to identify an FBI mole persists, with heavy insinuations pointing to his boss. Despite failed attempts to conduct a drug deal with Cliff, Tom discovers hopeful evidence that Sam remains alive. However, Cliff’s entanglement leads to a disturbing encounter with the Dark Hearts, raising the stakes and drawing attention to the intense violence orchestrating the narrative.
Character subplots lend depth amid the chaotic pacing. Emily’s emotional breakdown during therapy reveals her resentment towards her adoption, illustrating a poignant internal struggle that erupts in a raw confrontation with her adoptive father, Tom. This subplot emerges as a compelling storyline within the episode, highlighting the personal tensions bubbling beneath the surface.
Romantically, Lizzie and Grasso share a heated moment disrupted by the constraints of Lizzie’s marriage, offering a brief respite from the episode’s darker themes.
Despite these intriguing elements, some narrative threads feel underdeveloped. The timeline remains confusing, and certain characters, like Robbie and his daughter Harper, lack sufficient characterization, restricting emotional investment. Moreover, notable actors like Isaach de Bankolé appear underutilized, presenting a missed opportunity to enrich the series’ diverse portrayal.
Overall, “All Roads” shows potential but struggles with balancing its ensemble cast and various plotlines. As the series unfolds, viewers are left contemplating who will emerge unscathed from the unfolding chaos.