In a landscape where animated films frequently carry significant moral messages, “Zootropolis 2” stands out as a particularly poignant commentary on pressing social issues. Released nearly a decade after its predecessor, this sequel has quickly garnered over $1 billion at the box office, delighting Disney executives and audiences alike. This film, however, goes beyond cheerful storytelling, serving as a clever critique of Western settler colonialism and systemic corruption.
The narrative kicks off with Zootropolis preparing for its Zootennial celebration, marking the 100th anniversary of a weather wall that allows various animal species to thrive in their preferred climates. The wall, credited to the affluent Lynxley family, is shown to perpetuate territorial expansion and inequality. The Lynxleys symbolize Western dominance, utilizing their power not just to control the weather, but also to marginalize other species within their community.
Through the eyes of Gary De’Snake, voiced by Ke Huy Quan, the film explores themes of displacement and injustice, reflecting real-world struggles faced by various communities today. The movie illustrates how the narrative surrounding technological advancement often glazes over the roots of oppression — in this case, the erasure of Gary’s great-grandmother’s contributions to the invention of the weather wall. This storyline resonates with historical comments on colonialism, drawing parallels to the Arab world’s rich legacy of scientific advancements that shaped modern civilization.
Jared Bush, one of the film’s writers, indicates that the creators were inspired by contemporary global issues when developing the storyline. Unlike typical portrayals of law enforcement, Judy Hopps and Nick Wilde operate outside the system, revealing the corrupt governance that has long allowed the Lynxley family to consolidate power. The moral undertones compel the audience, especially younger viewers, to recognize the importance of standing up against oppression — underscoring that ordinary individuals can enact substantial change.
As children absorb the film’s message, they are educated about empathy, inclusivity, and moral responsibility. This is especially significant given the contemporary global climate of inequality and conflict, prompting a collective discourse on activism and justice. The film’s resonance with real-world events, despite any lack of explicit admission from its creators, emphasizes the ability of animated films to engage with complex and often sensitive themes in accessible and relatable ways.
Watching “Zootropolis 2,” one can feel a sense of optimism that these narratives are now part of mainstream storytelling, empowering a new generation to envision a world that celebrates differences and seeks justice. As children excitedly discuss the film’s themes, it’s evident that messages of resistance and unity can inspire hope and action, contributing to a more equal and compassionate society. With this film’s success, Disney may have unknowingly provided a platform for critical conversations about morality and justice through the lens of entertainment.