In a striking blend of humor and mystery, Rian Johnson’s latest film, “Wake Up Dead Man,” transports viewers into a small-town Catholic church where chaos unfolds. Following the success of “Knives Out” and “Glass Onion,” Johnson weaves together a narrative that humorously critiques societal issues while presenting a classic whodunit.
Set in upstate New York, the film centers around Jud Duplenticy, portrayed by Josh O’Connor, a junior priest trying to find his footing under the oppressive leadership of Monsignor Jefferson Wicks, played by Josh Brolin. Wicks, characterized as an angry fundamentalist, cultivates an environment of intolerance, particularly towards marginalized groups, causing church attendance to dwindle. Despite this, he surrounds himself with loyal supporters, including the resourceful Martha, played by Glenn Close, sharp-witted attorney portrayed by Kerry Washington, and the troubled doctor, brought to life by Jeremy Renner. Additionally, Cailee Spaeny plays a famous cellist whose significant donations to the church are motivated by a desire for divine healing, contributing to the film’s creative critique of religious hypocrisy.
After a shocking murder occurs on Good Friday, suspicion quickly gravitates toward Jud. As he protests his innocence, renowned private investigator Benoit Blanc, again played by Daniel Craig, arrives to assist in unmasking the true killer. The murder challenges the principles of rationality in classic detective fiction, and Blanc’s engagement with the audience offers a nod to the legendary mystery writer, John Dickson Carr, famed for his intricate impossible crimes.
While “Wake Up Dead Man” shares thematic parallels with Johnson’s earlier works—addressing classism, racism, and other societal ills—it focuses sharply on the intolerance perceived in the Christian right. The film’s humor and pointed critiques may not always be delicate, yet they serve to enhance the narrative, making Father Jud a relatable figure striving to uplift his community amidst adversity.
O’Connor’s performance stands out, marking it as one of his best to date, and elevates the film to a level of thoughtful introspection. As various tensions intensify and the plot thickens with multiple suspects and potential motives, “Wake Up Dead Man” evolves into a theological exploration, juxtaposing Jud’s earnest faith with Blanc’s skepticism. The intricate puzzle crafted by Johnson ensures that the film not only entertains but invites deeper reflection on faith, morality, and community. With its blend of satire and intrigue, “Wake Up Dead Man” emerges as an engaging commentary on contemporary issues shrouded in the guise of a captivating murder mystery.