In the gripping narrative of “The Lowdown,” Ethan Hawke’s character, Lee Raybon, grapples with the consequences of his journalistic pursuits as he seeks to unveil the truth about a Tulsa political family’s dark history. His journey raises profound questions about the ethics of truth-telling and the potential collateral damage inflicted upon those around him. Notably, Hawke’s portrayal reveals a character who embodies both the quest for authenticity and the complexities of personal relationships, as demonstrated by the tragic fate of an elderly Indigenous man, played by Graham Greene, which serves as a stark reminder of the impact of Lee’s relentless ambition.
Hawke connects deeply with Lee, recognizing parallels between their lives—both are fathers trying to balance personal aspirations with the responsibility of nurturing their children. This tension between ambition and parenting is a recurring theme, resonating with many viewers as it reflects the universal struggle to chase dreams without compromising familial love. Hawke emphasizes the atmospheric warmth of working with creator Sterlin Harjo, remarking on the vibrant and supportive environment of Tulsa’s creative community, which he describes as feeling more like a celebration than mere work.
The character of Lee Raybon taps into a nostalgic realm reminiscent of the 1990s, touching on themes of artistry and integrity versus commercialism. Hawke reflects on the romanticism surrounding art for its own sake, a sentiment that echoes throughout the show. He expresses admiration for Harjo’s unique approach to storytelling, which eschews simple narratives while tackling deeper issues like male vulnerability, friendship, and the journey of self-discovery.
The show’s examination of masculinity is particularly poignant, offering engaging discussions on the positive attributes men can pass down to future generations while navigating the complexities of being both resilient and sensitive. In the fifth episode, featuring Peter Dinklage as Lee’s long-time friend, the narrative delves into their shared past and the damaging effects of their choices on others, underscoring the show’s nuanced take on male friendship.
Hawke’s personal memories intertwine with his character’s journey, particularly reflecting on his own experiences in the arts world, where the temptations of fame and fortune clash with the ideals of authenticity. The late Graham Greene’s performance adds a layer of gravitas to the show, as Hawke recalls the actor’s playful spirit and immense talent—a fitting tribute to an artist whose legacy enriches the series.
As “The Lowdown” progresses, it prompts questions about heroism and morality, culminating with Lee Raybon wrestling with the consequences of his actions that may harm innocent individuals, thus complicating his role as a protagonist. The complexity of the characters, from Jeanne Tripplehorn’s to Kyle MacLachlan’s, reinforces Harjo’s commitment to creating richly layered personalities who defy typical stereotypes.
Hawke’s collaboration with Harjo brings an element of spontaneity and humor to the show, fostering a creative atmosphere where improvisation thrives and allowed the actors to inject real-life quirks into their performance. This approach not only enriches the storytelling but also aligns with the show’s central themes—who has the right to tell a story, and how the narrative evolves beyond initial intentions.
Looking ahead, Hawke expresses enthusiasm for the possibility of a second season, highlighting that they have constructed a complete story while leaving the door open for future adventures. As viewers continue to engage with the series, there’s an underlying sense of optimism that rewards authentic storytelling, ensuring that Lee Raybon’s journey does not conclude with this season alone, but potentially opens up new avenues for exploration in the vibrant tapestry of Tulsa’s artistic landscape.