Susie Figgis, renowned casting director known for her work on films such as “Gandhi,” “The Killing Fields,” and “The Mission,” made significant contributions not only to the film industry but also to the struggle against apartheid in South Africa. Her journey began in earnest when she arrived in Zimbabwe in 1986 to work on “Cry Freedom,” a film about the life of anti-apartheid activist Steve Biko. This marked the beginning of a deep connection between Figgis and the anti-apartheid movement.
In 1987, Figgis returned to Africa to cast “A World Apart,” a film based on the lives of South African revolutionaries Ruth First and Joe Slovo, written by their daughter, Shawn. Years later, in a free South Africa, she cast Robyn Slovo’s “Catch A Fire,” further solidifying her ties to the region and its tumultuous history.
During her time in Harare, Figgis became embroiled in the ANC community, where she met her future husband. This connection opened doors to her involvement in the underground support network for anti-apartheid activities. For four years, she played a crucial role in facilitating communication, transferring crucial funds, and sheltering comrades flowing through London. This period of her life mirrored the vibrancy of political activism in London, which served as a hub for the global Anti-Apartheid Movement.
Eleanor Kasrils, a notable figure in the anti-apartheid struggle, recognized Figgis’s talents and enlisted her help in various operations. Figgis demonstrated an unwavering commitment to the cause, combining her keen judgment from her casting experience with her dedication to social justice. Her tasks often involved devising clever solutions for activists needing disguises or urgent document deliveries. She approached these challenges with a sense of humor and a commitment that belied her cinematic background.
Throughout her efforts, Figgis remained discreet, fully aware of the potential dangers stemming from her work. Her steadfast reliability was valued during critical moments when the situation in South Africa became precarious. Anecdotes from that time highlight her ability to navigate the complexities of underground activism while maintaining her composure.
Sadly, on December 12, Figgis passed away peacefully in London at the age of 77 after 35 years of marriage to Bill Anderson and while being a loving mother and stepmother. Her passing has prompted reflections on her life’s impact, not only in film with titles like “The Crying Game,” “The Full Monty,” and “Harry Potter,” but also in the broader historical context of the anti-apartheid movement.
The legacy of internationalists like Figgis, who assisted the ANC and SACP in their fight for a democratic and non-racist South Africa, remains vital. This legacy has been documented through books, educational materials, and films. Figgis will be remembered as an honorary South African, her name joining the ranks of those who bravely stood up against injustice. Her contributions serve as a poignant reminder of the impact that individuals can have in the fight for freedom and equality.