In “Hamnet,” directed by acclaimed filmmaker Chloé Zhao, the story delves into the private life of William Shakespeare during his formative years in Stratford-upon-Avon. While the film features the tragic elements of love and loss, it often lacks the dynamic wit and wordplay that Shakespeare himself was known for. Co-written by Zhao and author Maggie O’Farrell, this adaptation of O’Farrell’s 2020 novel focuses on the emotional turmoil faced by Shakespeare, played by Paul Mescal, and his wife Agnes, portrayed by Jessie Buckley.
The narrative unfolds during a pivotal period when Shakespeare is immersed in his career in London, unable to attend the death of one of his children, which is said to have profoundly influenced his later work, particularly his most famous ghost story. Much of the emotional weight is carried by Agnes, who is depicted with a mystical aura, described as a witch with psychic abilities that strain her relationship with her husband. Buckley’s portrayal of Agnes incorporates a range of emotional expressions that highlight her character’s struggles, though it has drawn mixed reactions from critics.
The historical backdrop reveals Shakespeare marrying a woman eight years his senior and having three children, including twins Judith and Hamnet. While many past interpretations of Agnes have portrayed her in various unflattering lights, O’Farrell’s script takes a more fantastical approach in depicting her as someone capable of foretelling the future, adding another layer of complexity to their relationship.
As the film captures their flirtation and the societal judgments they face, it balances tenderness with the harsh realities of their lives, including the disapproval of their families. Mescal’s Shakespeare is shown as relatable and human, yet lacking the eloquence of the genius he will later become, which poses an intriguing contrast to his wife’s more vibrant personality.
Visually, the film excels with cinematographer Łukasz Żal, who brings the 16th-century setting to life, grounding it in authenticity while Zhao’s direction infuses a mystical quality to the landscapes. Co-editors Zhao and Affonso Gonçalves introduce an often raw aesthetic that keeps the audience immersed in the naturalism of the narrative.
The heart of “Hamnet” radiates through young Jacobi Jupe’s performance as Hamnet, the couple’s son. Jupe manages to convey a depth of emotion without overacting, drawing viewers into his character as the tragic events unfold. The score by Max Richter complements the film effectively, although some moments may invoke familiarity due to its use in other productions.
Ultimately, “Hamnet” serves as a poignant exploration of grief and the creative process, hinting at the complex relationship between personal tragedy and artistic expression. The film seeks to find solace in the pain experienced by its characters and captures the catharsis that art can bring, resonating with audiences on an emotional level. Through its intimate portrayal of Shakespeare’s family life, it invites viewers to reflect on the trials that shaped one of history’s greatest playwrights, making it a thoughtful yet contemplative addition to the cinematic landscape.