Glen Powell is set to star in a new dark comedy titled “How to Make a Killing,” where he portrays Becket Redfellow, a disowned member of a bizarrely affluent family who resorts to drastic measures—namely, eliminating his estranged relatives—to claim his inheritance. This film, produced by A24, follows Powell’s recent appearance in Edgar Wright’s film “The Running Man,” in which he took on a similarly intense role involving a high-stakes financial struggle.
The supporting cast for “How to Make a Killing” includes notable talents such as Margaret Qualley, Jessica Henwick, Bill Camp, Zach Woods, Topher Grace, and Ed Harris, ensuring a diverse and impressive ensemble. Fans of Bill Camp can particularly look forward to his appearance, as he consistently delivers strong performances.
The film is directed by John Patton Ford, known for his work on the gripping thriller “Emily the Criminal,” which explored the theme of individuals bending the law to secure financial stability. As society grapples with economic inequalities, such narratives resonate deeply, highlighting the frustrations faced by those outside the upper echelon.
Despite the film’s engaging premise, it arrives amid a surge of “eat the rich” stories, raising questions about the originality of its message. Previous films like “Knives Out” and “Ready or Not” have tackled similar themes of class disparity and discontent toward wealth. This trend may leave audiences questioning whether “How to Make a Killing” can offer a fresh perspective or if it merely recycles familiar sentiments against affluence.
Interestingly, the film draws inspiration from the classic 1949 dark comedy “Kind Hearts and Coronets,” which featured Alec Guinness playing multiple roles, suggesting a potential blend of humor and intrigue that could set it apart from its contemporaries.
Scheduled for release in theaters on February 20, 2026, “How to Make a Killing” aims to deliver a poignant blend of dark humor and social commentary. As anticipation builds, viewers remain hopeful that it will transcend the clichés of its genre and provide new insights into the complexities of wealth and morality.