Keith Urban, the renowned Australian country music artist, recently stirred up online chatter after reportedly performing a cover of Chappell Roan’s hit “Pink Pony Club” during a private event at Mar-a-Lago, the luxurious resort owned by former President Donald Trump. The 58-year-old singer delivered his rendition while strumming an acoustic guitar, as captured in social media posts by Florida realtor Tali Israel.
The holiday gathering, hosted by billionaire Australian businessman Anthony Pratt, saw Trump in attendance, eager to mingle with guests. Pratt has made headlines for his substantial financial contributions to Trump’s political endeavors, including a $10 million donation to the former president’s 2024 campaign and a commitment of $5 billion aimed at reindustrializing the U.S.
Despite the festive atmosphere, Urban’s participation at the event sparked mixed reactions online. Critics took to social media to express their disapproval, questioning the appropriateness of performing a song that celebrates LGBTQ nightlife at a Trump-affiliated venue. Comments ranged from disbelief to disappointment, with one user stating, “What on Earth is Keith doing there!” and another declaring, “Totally done with Keith Urban, all time LOW!!!”
Conversely, some fans defended Urban, suggesting that his performance might have been a clever subversion of the event’s political undertones. One supporter wrote, “Keith Urban low-key trolled the MAGA crowd at Mar-a-Lago by playing Pink Pony Club without most of them realizing they got trolled.”
This incident highlights the complex intersection of music, politics, and social issues, reminding fans that artists often navigate challenging landscapes in their careers. The variety of responses reflects a broader conversation about celebrity affiliations and their implications, particularly in polarized political climates. Urban’s performance at Mar-a-Lago serves as a reminder that music continues to be a powerful vehicle for expression, regardless of the setting.