Kam Patterson, a featured player on NBC’s iconic sketch comedy show Saturday Night Live since 2025, recently made headlines with his candid remarks during his stand-up special. Performing at Netflix’s showcase “Kill Tony: Once Upon a Time in Texas,” Patterson did not hold back his opinions on the famed show, calling it “really gay” and admitting that he had never watched it prior to joining.

In his routine, Patterson humorously acknowledged the cultural disconnect he feels, saying, “I’m gonna be honest, I’m gonna keep it 100-percent with y’all. In the nicest way possible, it’s gay. It’s really gay, dog. It’s gay as f*ck.” He referenced the transition from his past experiences to being on a national platform, emphasizing the drastic changes in his life.

A regular participant on Tony Hinchcliffe’s popular podcast “Kill Tony,” Patterson shared the stage with comedy giants like Roseanne Barr, Rob Schneider, and Gabriel Iglesias. He expressed a sense of bewilderment and humor regarding audience reactions to his success, noting, “You know what’s crazy? I think people are more excited for me than I am for myself.” The 26-year-old comedian highlighted his unfamiliarity with the show, mentioning, “I’ve never seen the show! I have no idea what the f*ck I signed up for, dog. I’m kind of just there.”

Patterson also humorously critiqued the celebrity guests featured on SNL, many of whom he doesn’t recognize, stating, “And, listen, this sh*t is not for me, it’s for white people, really!” He recalled moments when guests like Glen Powell and Miles Teller were introduced, expressing his confusion by admitting, “I was like, ‘Who is that?’”

Joining the show in its 51st season, Patterson’s career trajectory reflects the hopes of many young comedians looking to make their mark. With his unapologetic humor and unique perspective, he may not only bring fresh content to SNL but also resonate with a diverse fan base. His openness about his experience could pave the way for broader discussions on representation and cultural connections in comedy.

Patterson’s journey serves as a reminder of the evolving landscape of comedy and the importance of authenticity in connecting with audiences from all backgrounds.

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