Columnist Moises Mendez II brings a sharp critique to the anticipated third season of the hit series “Euphoria” in his latest column for Out magazine. The release of the trailer has generated buzz, reuniting the beloved cast, but Mendez reveals a notable sense of disillusionment surrounding the show’s return. The writer expresses a feeling of indifference, suggesting that the excitement once felt for the series has faded significantly since its last season.
Mendez reflects on how “Euphoria” initially captivated audiences, including himself, who eagerly engaged in online discussions and never missed an episode. However, the perception of the show has shifted, especially after controversies surrounding creator Sam Levinson and actress Sydney Sweeney. The column references past events, such as tensions reported between Levinson and cast member Barbie Ferreira, who allegedly faced a reduction in screen time after disputes over character direction.
The piece delves deeper into Levinson’s controversial projects, particularly “The Idol,” which has been criticized for its troubling portrayal of women in Hollywood. Mendez highlights the reported issues during the production of “The Idol,” drawing attention to the shift in creative direction that many believe undermined the show’s original message.
Concerns have also been raised regarding the graphic nature of content in “Euphoria.” Viewer discomfort with explicit scenes has led to discussions among cast members about their personal boundaries during filming. While Sweeney defended Levinson, stating he was receptive to her concerns, Mendez argues that the show’s overall approach to sensitive subjects leaves much to be desired.
Despite Mendez’s reservations, he acknowledges that he will be watching the new season out of professional obligation, rather than enthusiasm. The writer concludes that while he appreciates the actors’ opportunities, he laments that the series may not do justice to their talents, particularly noting Zendaya’s potential being squandered on a poorly written script.
In reflecting on “Euphoria,” Mendez captures a broader sentiment shared by some viewers who grapple with the often problematic elements found in mainstream culture while navigating the intricacies of representation and storytelling in entertainment.