In the new HBO limited series “DTF St. Louis,” Jason Bateman delivers a standout performance as Clark Forrest, a St. Louis weatherman navigating complex relationships and a web of unconventional events. Bateman’s character becomes enamored with Carol, played by Linda Cardellini, during a cornhole party hosted by his colleague Floyd, portrayed by David Harbour. The catch? Both Clark and Carol are married, setting the stage for a comedic yet dramatic exploration of infidelity and personal struggles.
“DTF St. Louis” defies easy categorization, an observation Bateman emphasizes in interviews, labeling it as dark comedy. The show balances humor with tragic undertones, manifesting through its characters and their predicaments. Floyd, while affable and sweet, grapples with challenges stemming from a mysterious accident that has impacted his confidence and marriage to Carol, who has taken on the role of a baseball umpire—a detail that does not endear her to Floyd.
The show’s plot thickens with the introduction of a dating app referred to as “DTF,” which stands for “down to fuck.” Clark suggests the app to Floyd, intending to steer him toward new romantic pursuits, but the implications of this recommendation unfold with unforeseen consequences for everyone involved. Bateman notes the app serves as a narrative device that goes beyond surface-level intrigue, delving into the vulnerability and complexities of human connections.
Speaking with Bateman, Cardellini, and Harbour, they share insights into their roles. Cardellini reveals that she trained with a real umpire to authentically portray her character, enhancing the believability of her portrayal. Harbour reflects on the show’s evolution from its initial concept, originally based on a New Yorker article, to a richer narrative grounded in the dynamics of St. Louis life and interpersonal relationships.
The storyline shifts fluidly, incorporating twists and turns that keep viewers engaged. There’s a particular emphasis on the emotional landscape of the characters, showcasing their vulnerabilities in a way that’s relatable and poignant. As Harbour points out, while the app might initially seem to introduce a comedic premise, it ultimately serves to explore deeper themes of longing and connection.
Scheduled to premiere on March 1 at 9 p.m. ET, “DTF St. Louis” promises to offer a fresh take on romantic entanglements within a distinctly Midwestern landscape, combining humor with meaningful storytelling. Viewers can anticipate weekly episodes that unveil the complexities of the characters’ lives, revealing not only their comedic mishaps but also their earnest desires for connection and understanding. With a creative team led by writer Steven Conrad and a talented cast, this series is poised to carve its niche within the crowded landscape of television storytelling.