Dylan Mulvaney, a prominent transgender influencer and figure in the ongoing cultural discourse, has been cast as Anne Boleyn in the Broadway production of “Six the Musical.” The announcement of Mulvaney’s role has sparked both excitement and backlash, especially from anti-trans voices who have publicly criticized the decision.

“Six the Musical” creatively reinterprets the stories of the wives of Henry VIII in a modern pop concert setting. It won the Tony Award for Best Original Score in 2022, showcasing the lives of these historical women while celebrating their strength. Producers recently announced Mulvaney’s addition to the cast, expressing enthusiasm for her upcoming performance as the historical figure who faced tragic outcomes in her own life, including being beheaded.

Expressing her joy on social media, Mulvaney wrote, “YAY BROADWAY! so happy my bway debut is playing a fellow polarizing woman in this perfect musical next month.” However, her casting has provoked a surge of transphobic commentary online, prompting the show’s producers to make their social media accounts private to limit hateful responses.

The negative reactions have included misgendering comments and dismissive remarks about Mulvaney’s identity. Critics have framed the casting choice as a departure from historical accuracy, but it is important to note that the role itself has not been altered to fit a trans narrative; rather, a transgender woman has been cast in a role exploring the life of a cisgender character.

Support for Mulvaney has emerged from within the theater community, including sharp critiques of the backlash. Chris Peterson, founder of OnStage Blog, emphasized that these complaints are not rooted in genuine concern for the musical or its themes, but rather are motivated by a desire to target a vulnerable community. He urged that the complaints highlight a chorus of bigotry that only surfaces when the subject turns to trans representation in media.

In response to the adversity she has faced, Mulvaney expressed determination and optimism. Speaking candidly about her journey, she commented on the challenges of being a trans person in today’s society, describing her casting as a “miracle.” She pointed out the importance of perseverance and encouraged queer and trans youth to pursue their passions unabated by societal negativity.

As Mulvaney prepares to make her Broadway debut on February 16 at the Lena Horne Theatre, she remains focused on the joy of performance and the message that dreams are achievable, regardless of obstacles. Her positive spirit and commitment to representing marginalized communities on stage continue to strike a chord, further igniting discussions on inclusivity within the arts.

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