Broadway Legend Ken Page: A Tribute to a St. Louis Star

Actor Ken Page proved that someone from the Midwest could truly succeed on Broadway, making a significant impact over his more than 40-year theater career. The St. Louis native passed away on Monday at the age of 70.

Born in January 1954 in St. Louis, Page began his artistic journey after graduating from Fontbonne College. He made his Broadway debut in the 1970s, portraying Nicely-Nicely Johnson in a revival of “Guys and Dolls” and stepping in for the Lion in “The Wiz.” However, he gained widespread recognition for his role as Old Deuteronomy in the original 1982 Broadway production of Andrew Lloyd Webber’s hit musical “Cats.”

Throughout his career, Page took on several powerful roles, including two performances as the character of God. He received a Drama Desk award for his portrayal in “Ain’t Misbehavin’,” which highlighted Fats Waller’s music.

Page also ventured into film, famously voicing Oogie Boogie in Tim Burton’s “The Nightmare Before Christmas” and playing the character Murray in Harvey Fierstein’s groundbreaking 1988 film “Torch Song Trilogy.” In a 2013 interview, he shared insights about the film’s enduring message for young members of the LGBT community, emphasizing the importance of self-acceptance and pride.

After years in New York, Page returned to St. Louis in 2010, expressing excitement at rediscovering the city he called home. He cherished the local dining scene and continued to engage with the theater community. By 2013, he became the voice of the Muny, welcoming audiences before shows began. He also took on roles in various productions at the Muny, including his reprise of Old Deuteronomy in “Cats” in 2010 and Amonasro in “Aida.”

Muny Executive Producer Mike Isaacson described Page as a close friend and collaborator, highlighting their shared vision of theater. Page appeared in over 45 productions at the Muny, but Isaacson fondly recalled his poignant performances as Doc in “West Side Story,” which resonated deeply with both the audience and Page himself.

As an artist, Page also floated between writing and directing. He crafted musicals like “Cafe Chanson” and “Sublime Intimacy,” the latter stemming from a conversation about deep, intimate relationships. Page often lauded the importance of collaboration in the creative process.

In recognition of his accomplishments, Page received a lifetime achievement award from the St. Louis Arts and Education Council in 2019. Reflecting on his career, he expressed gratitude for his journey in the arts and the joy he found along the way.

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